So, the idea to recreate everything was a good one, as it gave us the ability to connect everything. We were asked to connect the street with the water with a drain, but an inclined plane, where the water is flowing over the bricks. With the CG water we were able to manage the connection with the wooden docks, to add this kind of morning smoke over the water. For example, for the aerial drone shot, the initial on-location plate over the river with the dock, we were supposed to keep the water as it is, but to ease the connection between our CG environment and the water, we decided to recreate everything, including the water. “After that we spoke about how we would craft and build the shots. The Yard started with their own concepts for every shot “with a big mood board with lots of pictures we had gathered, just to give them our feelings and thoughts regarding the look of the shot,” Ehrmann details.
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